Guangzhou XiangMing (XMlite) light limited is a one-year professional R&D and supplier of moving head lights. Our company is located in Guangzhou City and was established in 2010, covering an area of more than 8,000 square meters. Our main products are moving head lights, moving head wash lights, moving head beam lights, moving head lights, moving head mixed lights and other stage lighting, which are exported to more than 50 countries in the world.

Our production center is equipped with vibration testers, salt spray testers, illumination testers, laser engraving machines, 3D printers, patch machines and other equipment, producing more than 3,000 moving head lamps monthly.

Our factory has obtained an export license and passed ISO 9001 quality certification and ISO 14001 environmental certification. All products comply with OHSAS certification, CE, Rosh and other international certifications, and have multiple patent certificates and software copyrights.

Rapid After-sales

All our moving head light products come with a 3-year warranty and the shipping costs of damaged spare parts are paid by express methods such as DHL, TNT, UPS etc. within the first year.

Outdoor LED Par Cans are a type of PAR Can that are waterproof and can be used outdoors or in the rain. They are easy to control and can be controlled by DMX Console or Auto Run Modes. LED PAR cans use multiple LED bulbs instead of a single lamp, and often have built-in features such as strobes and dimmers.

DMX (Digital Multiplex) is a lighting control protocol that allows a single controller to affect multiple fixtures. DMX uses a data signal to control the intensity, color, and other parameters of LED lights. DMX is also used to control fog machines and other add-ons.

LP285CW, 19x15W LED cold and warm white two-color PAR light with zoom function mainly used as a surface light. It is an LED PAR light developed and manufactured on the basis of LP285( 19* 15W led par light with zoom) and according to the actual needs put forward by customers.

The LED54*3W led PAR light is the lamp with the largest number of applications, the longest duration and the largest application range on the stage light shows.

The introduction of LED Par Can Lights came in around 2005, and due to the significant advances in LED lighting over the last decade have now pretty much replaced all consumer and professional lamp-based par lights. LED par can lights are a type of light that use multiple LED bulbs instead of a single lamp. They are often used for stage lighting in theaters and concerts, but can also be used for video production, in combination with smoke or haze machines. Par Lights are used for top lighting, uplighting, backlighting and for special effects, allowing for a wide range of colors without gel filters and are DMX controllable.

Our PAR LED lights adopt a honeycomb lens structure, and their honeycomb beams can adjust the light range according to the stage setting, ranging from 4 to 60 degrees, etc.

These moving head lights are built with a large number of high-lumen LED lamp beads to save power consumption during long-term lighting. Traditional Par lights are generally 1000W, and LED Par lights are generally around 300W or lower.

Boundless color of the fancy world is due to the presence of different colors, and also because of the gorgeous stage lighting as a backdrop, the stage become colorful. Why LED Par light is essential for stage and events? Because of this, the stage lighting manufacturers realized the importance of diversified color changing, so more representative stage lighting equipment – Stage Par light was born. Cite a specific simple example, one Par light with 36 pieces LED (include red, green and blue), after mixing debugging, you can reach 16.7 million species mixing effects, amazing numbers.

Setting the right mood at a restaurant or in a hotel requires the right level of control, and an LED PAR lamp gives you that control. This glare-free, crisp light is unaffected by frequent on/off cycling, offers dimmable lighting, and comes in several different powers. These lights last 25 times longer than incandescent lamps and six times longer than CFLs, so you can deliver reliable lighting to your guests with every single visit.

Stage lighting is a form of art. Not only that, it should luminate the stage but also highlight and dim accordingly. Audiences want drama to stay connected to the show, and one way to create that is through highlighting. Create direction for the audience by using lighting color theory. Dimming lights in one area will draw their attention to lumination areas. Using dominating hues can also provide much-needed focus.

Energy-efficient
Long-lasting

LED par can lights have taken the stage lighting world by storm, offering a more energy-efficient and long-lasting alternative to their tungsten counterparts. They boast RGB color mixing capabilities, enabling users to create a virtually unlimited array of hues. With their low heat output, LED par can lights are also safer and more comfortable for performers.

LED par can lights range from around $50 to $500. The price can vary depending on the brand, type of light, and beam angle. The size of LED par lights can also vary, so consider that when making your purchase.

RGBW (Red, Green, Blue, White) LEDs are becoming increasingly popular in PAR can lights. This type of LED allows you to create any imaginable color by mixing the different colored LEDs. Some PAR can lights also have color temperature control, which allows you to adjust the light from a warm white (around 2700K) to a cool white (around 7000K). This flexibility can help create different moods on stage or match the light to other stage lighting fixtures. For instance, warm light tones set the stage for an intimate acoustic set, while cool light tones can add excitement and energy to a high-octane rock show.

The IP (Ingress Protection) rating measures how well a device protects against dust and water ingress. For example, an LED PAR can with an IP65 rating is ideal for any environment, whether the event takes place indoors or outdoors.

The CRI (Color Rendering Index) measures how well a light source renders colors. A higher CRI creates colors that appear more vibrant and true-to-life. LEDs with a CRI of 80+ are considered excellent for stage lighting.

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A: It is understood, LED par lights are high power, high temperature, so avoid harming themselves and others when using . ERA Lighting reminds consumers should note the following 4 points: Please do not keep this light away from water or other liquids. Please do not install lights in high temperature environments.

A: PAR lamps and their fixtures are widely used in theatre, concerts and motion picture production when a substantial amount of flat lighting is required for a scene. They are often mounted in can-shaped fixtures known as PARCANs, which can be used to generate colours by fitting them with colored sheets called gels.

A: Like the PAR can, the Fresnel's beam is soft-edged. The Fresnel does not have as a large a throw however, and is used in the theatre primarily for general illumination where beam shape is not important and backlighting.

A: PAR is essentially a measurement of light emission within the photosynthetic range of 400-700nm. This represents the area of light that plants use for photosynthesis, or to grow. PAR is measured by the amount of micro moles of light per square meter per second.

A: The PAR lamp, which is available in a vast range of types up to 1000 watts at various voltages in the United States, is less common in England, but can be a most important stage lighting tool. These lamps used in a batten (border-light) can be very effective as backlight or downlight.

A: Photosynthetically active radiation (PAR) spans the visible light portion of the electromagnetic spectrum from 400 to 700 nanometers. Other living organisms, such as cyanobacteria, purple bacteria, and heliobacteria, can exploit solar light in slightly extended spectral regions, such as the near-infrared.

Q: What are PAR 64 lights used for?

A: When it comes to stage and theatrical lighting, PAR 64 cans have been the workhorse of the fleet. These lights are perfect for such productions because they can spotlight particular areas with ease. Two types of PAR 64 fixtures are available: long barrel, or long nose, and short barrel.

Q: What is the difference between PAR64 and PAR56?

A: With oval beams and lamp ranges from 300 to 500 watts for the PAR56 and 300 to 1000 watts for the PAR64, these lights are ideal for use in concerts, nightclubs, television and film remotes and architectural applications where maximum flexibility is desired in a small, compact package.

A: Unlike lumens which will only measure the brightness of a light source, PPFD measures the number of photons within the PAR region that reach the target each second. Simply put, a PPFD measurement will tell you how much necessary light (within the PAR region 400-700nm) is actually making it to your aim area.

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